{"id":1778,"date":"2026-03-10T18:24:43","date_gmt":"2026-03-10T18:24:43","guid":{"rendered":"https:\/\/www.corierosesoumah.com\/homepage\/?page_id=1778"},"modified":"2026-03-11T16:17:44","modified_gmt":"2026-03-11T16:17:44","slug":"dead-tales-spurred","status":"publish","type":"page","link":"https:\/\/www.corierosesoumah.com\/homepage\/dead-tales-spurred\/","title":{"rendered":"DEAD TALES, spurred"},"content":{"rendered":"\n<p class=\"animated fadeIn wp-block-paragraph\" style=\"font-size:12px;font-style:normal;font-weight:300;line-height:1.2\"><em>for flute, tenor saxophone, piano, percussion &amp; electronics<\/em> (2025)<br>for Proxima Centauri<br>commissioned by Le Vivier<br>10 minutes<br><br><em>pour fl\u00fbte, saxophone t\u00e9nor, piano, percussion &amp; \u00e9lectroniques<\/em> (2025)<br>pour Proxima Centauri<br>commande du Vivier<br>10 minutes<\/p>\n\n\n\n<div class=\"wp-block-columns animated fadeIn is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1044-1024x681.jpg\" alt=\"\" class=\"wp-image-1785\" style=\"object-fit:cover\" srcset=\"https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1044-1024x681.jpg 1024w, https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1044-300x200.jpg 300w, https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1044-768x511.jpg 768w, https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1044-1536x1022.jpg 1536w, https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1044-2048x1362.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:0.7rem;font-style:normal;font-weight:300\">Audio &amp; video upcoming<br>Audio &amp; vid\u00e9o \u00e0 venir<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:0.7rem;font-style:normal;font-weight:300\">Note de programme: &#8220;DEAD TALES, spurred s\u2019inscrit directement dans la continuit\u00e9 de son \u0153uvre pr\u00e9c\u00e9dente SPINNING, TOUCHED, UNDREAMT\u2013SNOW o\u00f9 la compositrice explorait les complexit\u00e9s de la condition de la femme ainsi que les multiples r\u00eaves et attentes falsifi\u00e9es qui en d\u00e9coulent, \u00e0 travers l\u2019\u00e9vocation autobiographique des sentiments d\u2019une adolescente au sortir d\u2019une p\u00e9riode intense de consommation t\u00e9l\u00e9visuelle (de s\u00e9ries cor\u00e9ennes, en l\u2019occurrence). Cette nouvelle version explore les concepts de fatigue, pouls et forces de traction \u00e0 travers des multiplicit\u00e9s encore plus r\u00e9duites, le tout en pr\u00e9sentant l\u2019aspect \u00e9lectronique \u00e0 la fois comme une force individuelle et comme un \u00e9cho fantomatique des instruments sur sc\u00e8ne.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:0.7rem;font-style:normal;font-weight:300\"><strong>Critique<\/strong>: <em>&#8220;La pi\u00e8ce d\u00e9bute dans la p\u00e9nombre avec une lumi\u00e8re pr\u00e9dominante sur le joueur de caisse claire assis au centre de la sc\u00e8ne. Le roulement entam\u00e9 par le percussionniste servira de ligne directrice tout au long de la pi\u00e8ce, se d\u00e9veloppant en tandem avec la partie \u00e9lectronique, qui \u00e0 son tour au travers des sonorit\u00e9s jou\u00e9es, s\u2019enrichit tout au long de la pi\u00e8ce. [&#8230;] Ces encha\u00eenements de sons superpos\u00e9s, cr\u00e9ent tranquillement une esp\u00e8ce de rythmique irr\u00e9guli\u00e8re \u00e9voluant tout au long de la pi\u00e8ce instaurant une certaine stabilit\u00e9 dans l\u2019instabilit\u00e9.&#8221; &#8211;<\/em> Pan M 360 (Semaine du Neuf | 5 visions du mouvement entre instruments et \u00e9lectronique)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-global-padding is-layout-constrained wp-block-column-is-layout-constrained\">\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img decoding=\"async\" width=\"1703\" height=\"2560\" src=\"https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1041-scaled.jpg\" alt=\"\" class=\"wp-image-1786\" style=\"aspect-ratio:3\/4;object-fit:cover;width:auto;height:600px\" srcset=\"https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1041-scaled.jpg 1703w, https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1041-200x300.jpg 200w, https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1041-681x1024.jpg 681w, https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1041-768x1154.jpg 768w, https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1041-1022x1536.jpg 1022w, https:\/\/www.corierosesoumah.com\/wp-content\/uploads\/2026\/03\/DSC1041-1362x2048.jpg 1362w\" sizes=\"(max-width: 1703px) 100vw, 1703px\" \/><\/figure>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:0.7rem\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>for flute, tenor saxophone, piano, percussion &amp; electronics (2025)for Proxima Centauricommissioned by Le Vivier10 minutes pour fl\u00fbte, saxophone t\u00e9nor, piano, percussion &amp; \u00e9lectroniques (2025)pour Proxima Centauricommande du Vivier10 minutes Audio &amp; video upcomingAudio &amp; vid\u00e9o \u00e0 venir Note de programme: &#8220;DEAD TALES, spurred s\u2019inscrit directement dans la continuit\u00e9 de son \u0153uvre pr\u00e9c\u00e9dente SPINNING, TOUCHED, UNDREAMT\u2013SNOW [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1778","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages\/1778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/comments?post=1778"}],"version-history":[{"count":7,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages\/1778\/revisions"}],"predecessor-version":[{"id":1827,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages\/1778\/revisions\/1827"}],"wp:attachment":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/media?parent=1778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}