{"id":1768,"date":"2026-03-10T18:13:50","date_gmt":"2026-03-10T18:13:50","guid":{"rendered":"https:\/\/www.corierosesoumah.com\/homepage\/?page_id=1768"},"modified":"2026-03-30T14:44:12","modified_gmt":"2026-03-30T14:44:12","slug":"limpidites-vii","status":"publish","type":"page","link":"https:\/\/www.corierosesoumah.com\/homepage\/limpidites-vii\/","title":{"rendered":"Limpidit\u00e9s VII"},"content":{"rendered":"\n

for voice and electronics <\/em>(2025)
written for Elaine Mitchener
9 minutes
supported by Wigmore Hall & the Canadian Council of the Arts

pour voix et \u00e9lectroniques<\/em> (2025)
\u00e9crite pour Elaine Mitchener
9 minutes
pi\u00e8ce soutenue par Wigmore Hall & le Conseil des arts et des lettres du Canada<\/p>\n\n\n\n

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Elaine Mitchener at Wigmore Hall, London.
Photograph: Darius Weinberg\/Wigmore Hall<\/p>\n\n\n\n

Audio on demand
Audio sur demande<\/em><\/p>\n\n\n\n

Program note: “The solo piece is an exploration of being through doppelg\u00e4nger dupplicates, decolonial freedoms and spaces of differentiations.”<\/p>\n\n\n\n

Critique: <\/strong>“The venue is not ideally set up for live electronics (two works had to be restarted due to tech problems). But Mitchener\u2019s performance of Corie Rose Soumah\u2019s Limpidit\u00e9s VI \u2013 all sips and slurps excavated from between the syllables of spoken language \u2013 and the struggle of voice against mouth staged in Amadeus Julian Regucera\u2019s Bocca Chiusa were every bit as virtuosic and musically compelling as the Hall\u2019s most venerated past performers.”<\/em> – The Guardian (Are \u2018Friends\u2019 Electric? review \u2013 Elaine Mitchener redefines what singing means in virtuoso tour-de-force)<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

for voice and electronics (2025)written for Elaine Mitchener9 minutessupported by Wigmore Hall & the Canadian Council of the Arts pour voix et \u00e9lectroniques (2025)\u00e9crite pour Elaine Mitchener9 minutespi\u00e8ce soutenue par Wigmore Hall & le Conseil des arts et des lettres du Canada Elaine Mitchener at Wigmore Hall, London.Photograph: Darius Weinberg\/Wigmore Hall Audio on demandAudio sur […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1768","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages\/1768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/comments?post=1768"}],"version-history":[{"count":9,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages\/1768\/revisions"}],"predecessor-version":[{"id":1833,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages\/1768\/revisions\/1833"}],"wp:attachment":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/media?parent=1768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}