{"id":1443,"date":"2025-06-11T20:46:02","date_gmt":"2025-06-11T20:46:02","guid":{"rendered":"https:\/\/www.corierosesoumah.com\/homepage\/?page_id=1443"},"modified":"2026-03-10T21:11:49","modified_gmt":"2026-03-10T21:11:49","slug":"limpidites-iv","status":"publish","type":"page","link":"https:\/\/www.corierosesoumah.com\/homepage\/limpidites-iv\/","title":{"rendered":"Limpidit\u00e9s IV"},"content":{"rendered":"\n

for solo violin and the performer voice<\/em> (2024)
12 minutes
commissioned by Gillian Smith

pour violon solo et la voix de l’interpr\u00e8te <\/em>(2024)
12 minutes
<\/em>command\u00e9e par Gillian Smith<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

“In this piece, I sketched seven cadenzas in relationship with my own personal voice, the voice of the performer and the voice of the violin, all under the scope of soundscapes, emergences and bodies. Limpidit\u00e9s IV explores the three states through complex virtuosities that are mapped on the violin, including the eternity of endings, layers of improbable topographies and plastic intimacies.

But in reality, these are just some ‘espaces fictifs’. As things were melting away, as you were quietly breathing next to me, I heard the violin expanding through your body, a long stroke of life falling inside your lungs with the freshness of unbraided dreams. It almost made me wish for eternal life, only briefly.”<\/p>\n\n\n\n

Audio & video upcoming
Audio & vid\u00e9o \u00e0 venir

“Dans cette pi\u00e8ce, j’esquisse sept cadenzas en relation avec ma propre voix, la voix de l’interpr\u00e8te et la voix du violon, le tout au travers de terrains, \u00e9mergences et corps. Limpidit\u00e9s IV explore ces trois \u00e9tats par le biais de virtuosit\u00e9s complexes violonistiques, incluant des finalit\u00e9s \u00e9ternelles, des strates improbables de topographie et intimit\u00e9s plastiques.

En r\u00e9alit\u00e9, tout ceci ne sont que des espaces fictifs. Alors que les choses disparaissaient, toi qui respirait doucement \u00e0 mes c\u00f4t\u00e9s, j’ai entendu le violon se lover autour de ton corps, comme une longue respiration \u00e0 l’int\u00e9rieur de tes poumons inspirant tes r\u00eaves naifs frais. Cela m’a presque donn\u00e9 l’envie de vivre \u00e9ternellement, bri\u00e8vement.”<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

for solo violin and the performer voice (2024)12 minutescommissioned by Gillian Smith pour violon solo et la voix de l’interpr\u00e8te (2024)12 minutescommand\u00e9e par Gillian Smith “In this piece, I sketched seven cadenzas in relationship with my own personal voice, the voice of the performer and the voice of the violin, all under the scope of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-1443","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t