{"id":1044,"date":"2024-01-18T21:19:54","date_gmt":"2024-01-18T21:19:54","guid":{"rendered":"https:\/\/www.corierosesoumah.com\/homepage\/?page_id=1044"},"modified":"2026-08-20T00:42:13","modified_gmt":"2026-08-20T00:42:13","slug":"events","status":"publish","type":"page","link":"https:\/\/www.corierosesoumah.com\/homepage\/events\/","title":{"rendered":"Events\/News"},"content":{"rendered":"\n

UPCOMING\/\u00c0 VENIR<\/strong><\/p>\n\n\n\n

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AUSTRIA, Klangspuren Schwaz Festival<\/a>, September 2026.<\/p>\n\n\n\n


Corie Rose Soumah
<\/strong>neues Werk (2026), UA, 10\u2019
Auftragswerk von Klangspuren Schwaz
We, to be so transformed for string quartet (2025), \u00d6EA, 20′

2023 fand die kanadische Komponistin Corie Rose Soumah w\u00e4hrend einer Europa-Reise Trost im Roman einer \u00f6sterreichischen Autorin: Marlen Haushofers \u201eDie Mauer\u201c ber\u00fchrte Soumah so sehr, dass sie sich ihrer Trauer hingeben konnte und genau darin Trost und die F\u00e4higkeit zu Ver\u00e4nderung und Wachstum fand. Unter diesen existenziellen Eindr\u00fccken entstand ihr Streichquartett We, to be so transformed, dem bei Klangspuren ein Auftragswerk f\u00fcr das Ensemble PHACE zur Seite gestellt wird. 
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TORONTO, Walter Hall, October 5 2026 International Contemporary Ensemble: Composing While Black<\/a>.<\/p>\n\n\n\n

One of the world\u2019s great new-music ensembles comes to Toronto for a special concert and discussion led by renowned composer George E. Lewis. Composing While Black brings together bold, expressive music, lively public conversations, and a major concert featuring Yaz Lancaster, Corie Rose Soumah, Marcos Balter, Joshua Uzoigwe, Beth Coleman, and NMC Composer-in-Residence Rashaan Allwood.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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LONDON, Barbican Center, October 24 2026 Always, Already There Ensemble and Pamela Z<\/a>.<\/p>\n\n\n\n


Jack Sheen conducts the newly-formed Always, Already There Ensemble in three UK premieres of work by Marisse Cato (UK), Charles Uzor (Switzerland) and Corie-Rose Soumah (Canada). Chris Clarke joins as soloist for Charles Uzor\u2019s sumptuous new harp concerto Qualia, while Corie Rose Soumah\u2019s Tossed Lilacs is inspired by small moments of wonder and spirituality, from the taste of clementines on the tongue to the strings of the Kora.

The evening culminates in a rare solo performance of works by legendary American vocal pioneer and electronic artist Pamela Z, famed for making works for voice, electronics, samples, gesture activated MIDI controllers, and video.<\/em><\/p>\n<\/div>\n\n\n\n

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NEW YORK, Church of St. Luke & St. Matthew, January 22 2027 Dark Light<\/a><\/p>\n\n\n\n


Works by Carola Bauckholt, Corie Rose Soumah, and Oscar Bettison (world premiere)<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

PAST<\/strong><\/p>\n\n\n\n

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FRANCE, Ch\u00e2teau de Beauch\u00eane, \u00c9t\u00e9 2026 Creative Dialogue<\/a>.<\/p>\n\n\n\n


Pendant l’atelier, les compositeurs participants apportent leurs esquisses qui sont affin\u00e9es en collaboration avec les musiciens participants, qui se plongent \u00e9galement dans des pi\u00e8ces de r\u00e9pertoire de compositeurs li\u00e9s \u00e0 Creative Dialogue. Les ateliers d’improvisation impliquent tous les participants.

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MONTR\u00c9AL, 24 avril 2026, S\u00e9rie \u00c9lectro (10e \u00e9dition)<\/a><\/p>\n\n\n\n

Apr\u00e8s avoir ouvert les portes de son processus cr\u00e9atif lors de l\u2019atelier public de novembre dernier, le quatuor de saxophones Quasar d\u00e9voilera, le 24 avril 2026, les \u0153uvres issues de sa r\u00e9sidence artistique dans le cadre de la 10e \u00e9dition de la S\u00e9rie \u00c9lectro.

Cette r\u00e9sidence a r\u00e9uni une distribution internationale exceptionnelle \u2014 Corie Rose Soumah<\/strong>, Oliver Schneller, Alith\u00e9a Ripoll et Gordon Fitzell \u2014 pour plusieurs jours d\u2019exploration approfondie des possibilit\u00e9s offertes par l\u2019\u00e9lectronique, les environnements immersifs et les dialogues entre instruments acoustiques et technologies num\u00e9riques.

De la liminalit\u00e9 multim\u00e9dia de Fitzell aux paysages sonores inspir\u00e9s de donn\u00e9es scientifiques chez Schneller, en passant par les perspectives queer et \u00e9ph\u00e9m\u00e8res de Soumah et les explorations mixtes et gestuelles de Ripoll, chaque \u0153uvre r\u00e9v\u00e8le un univers singulier fa\u00e7onn\u00e9 en \u00e9troite collaboration avec les membres de Quasar.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Ohio, Oberlin Conservatory of Music, April 10. The Ensemble at Oberlin: Composing While Black Residency, Vol. II.<\/a><\/p>\n\n\n\n


Oberlin Conservatory has played a key role in the creation of the International Contemporary Ensemble, with founding members of the Ensemble meeting as students. Now, the Ensemble returns to Oberlin for the week-long residency, \u201cComposing While Black, Volume II.\u201d Curated by the Ensemble\u2019s Artistic Director, George Lewis, \u201cComposing While Black\u201d at Oberlin is conceived as a pair of residencies spanning a period of two years. The highly successful \u201cComposing While Black, Volume I\u201d took place in 2025, and this second residency will include rehearsals, workshops, and panel discussions for Oberlin students.<\/em>

Program:

Courtney Bryan: DREAMING (Freedom Sounds)<\/em> (2023)
<\/em>Adegoke Steve Colson: MIRRORS<\/em> (2023)
<\/em>Jalalu-Kalvert Nelson: Rotations III<\/em> (2021)
Corie Rose Soumah: Tossed Parachutes of Lilacs and Lungs<\/em> (2025)
Anthony Braxton: Ghost Trance Music

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NEW YORK, March 24 2026, Columbia Composers x International Contemporary Ensemble<\/a><\/p>\n\n\n\n

New York premiere of Limpidit\u00e9s VI featuring Erin Rogers and Antonin Bourgault.

International Contemporary Ensemble will premiere new works by Kristupas Bubnelis, Artun \u00c7ekem, Ihlara McIndoe, Alyssa Regent, Marcus Rock, and Corie Rose Soumah<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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BORDEAUX, 26 mars 2026, Concert OPUS 26.1 \u2013 \u00ab Mouvements \u00bb<\/a><\/p>\n\n\n\n

MOUVEMENTS est un spectacle musical qui cr\u00e9e un espace de dialogue entre les textures sonores apport\u00e9es par l\u2019\u00e9lectronique et l\u2019interpr\u00e9tation dans l\u2019instant de l\u2019instrumentiste.<\/em>

Programme:
<\/strong> Ouverture \u2013 Fran\u00e7ois Ross\u00e9 : Noor Spoot Wend<\/em>, par les 33 \u00e9l\u00e8ves de la S\u00e9rie S2TMD du Lyc\u00e9e Camille Jullian
Corie Rose Soumah: DEAD TALES, spurred (commande du Vivier pour Proxima Centauri) – cr\u00e9ation<\/em>
Rapha\u00e8le Biston : Ombres<\/em>
Brendan Champeaux : Away<\/em>
Demian Rudel Rey : Nemorensis<\/em>
Peter Fahey : Assembly Line 2.0<\/em><\/p>\n<\/div>\n\n\n\n

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MONTR\u00c9AL, 6 mars 2026, PROXIMA CENTAURI – MOUVEMENTS \/ SEMAINE DU NEUF<\/a><\/p>\n\n\n\n

MOUVEMENTS est un spectacle musical qui cr\u00e9e un espace de dialogue entre les textures sonores apport\u00e9es par l\u2019\u00e9lectronique et l\u2019interpr\u00e9tation dans l\u2019instant de l\u2019instrumentiste.<\/em>

Programme:
<\/strong>Corie Rose Soumah: DEAD TALES, spurred (commande du Vivier pour Proxima Centauri) – cr\u00e9ation<\/em>
Brendan Champeaux: Ciphers (commande de l\u2019\u00c9tat pour Proxima Centauri) – cr\u00e9ation
Demian Rudel Rey: Nemorensis (commande pour Proxima Centauri) – cr\u00e9ation
Giulia Lorusso: Go where the sea erodes time and blurs forms into dirty stars (commande de l\u2019\u00c9tat pour Proxima Centauri) – cr\u00e9ation

Autres dates au Qu\u00e9bec:<\/em>
Tourn\u00e9e au Canada \u2013 \u00ab Mouvements \u00bb \u2013 Conservatoire de musique de Qu\u00e9bec \u2013 7 mars 2026 avec E27
Tourn\u00e9e au Canada \u2013 \u00ab Mouvements \u00bb \u2013 Conservatoire de musique de Montr\u00e9al \u2013 9 mars 2026 avec Le Vivier<\/p>\n<\/div>\n<\/div>\n\n\n\n

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LONDON, January 22nd 2026, Riot Ensemble: Too Much is Never Enough<\/a><\/p>\n\n\n\n

A technicolor whirlwind, Alex Paxton\u2019s music hits like a Haribo kebab. Riot Ensemble were hooked in 2022, when they co-commissioned Shrimp BIT Babyface and they haven\u2019t blinked since. Forget about good taste and revel in the mess of the moment. The same might also be said about the music of Anna Meredith, whose Brisk Widow was written for Riot\u2019s percussionist (and Anna\u2019s bandmate) Sam Wilson.<\/em>

Programme<\/strong>
Corie Rose Soumah Limpidit\u00e9s IV<\/em>
Anna Meredith Brisk Widow
Eden Lonsdale Tr\u00e4nen und Ozean
Alex Paxton Shrimp BIT Babyface<\/p>\n<\/div>\n\n\n\n

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TORONTO, January 19th 2026, TD Encounters: Transoceanic<\/a><\/p>\n\n\n\n

Curated by Haotian Yu, Transoceanic traces intersections between technology and diasporic experience. In this Encounters, works from diasporic composers Corie Rose Soumah, Kotoka Suzuki, and Anthony Tan reimagine sound and light through science-fiction visions that decenter Eurocentric narratives of progress.<\/em>

A discussion and audience Q&A with Yu will follow the performance.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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LONDON, January 10th 2026, Are ‘Friends’ Electric? \u2013 a concert for voice & electronics<\/a>: world premiere
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The unexpected is to be expected whenever Elaine Mitchener makes music. The Wigmore Hall Asssociate Artist is joined by fellow sound explorers Shamica Ruddock and Pat Thomas to celebrate new work, including five new compositions supported by Wigmore Hall, and create an all-encompassing aural experience based on her compositional ideas.<\/em><\/p>\n<\/div>\n\n\n\n

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MONTR\u00c9AL, 19 octobre 2025, Quatuor Bozzini Composer’s Kitchen<\/a>: premi\u00e8re canadienne
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Cette \u00e9dition marque les 20 ans du Composer\u2019s Kitchen et pour l\u2019occasion, les compositrices Julia Mermelstein (Canada), Corie Rose Soumah (Canada) et Lucie Nezri (France \/ Pays-Bas) ainsi que Nikolaus Schroeder (\u00c9-U \/ Pays-Bas) ont \u00e9t\u00e9 s\u00e9lectionn\u00e9\u00b7es \u00e0 l\u2019issue d\u2019un appel ouvert en collaboration avec le Festival Gaudeamus aux Pays-Bas. Accompagn\u00e9\u00b7es des mentores Zosha Di Castri et Maya Verlaak, leurs \u0153uvres sont pr\u00e9sent\u00e9es en premi\u00e8re mondiale \u00e0 Gaudeamus le 14 septembre 2025 \u00e0 Utrecht, puis interpr\u00e9t\u00e9es par le Quatuor Bozzini \u00e0 Montr\u00e9al. <\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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UTRECHT, September 14th 2025, Quatuor Bozzini Composer’s Kitchen 2025<\/a>: world premiere
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\u2018Dare to do what you\u2019ve never done before\u2019: that is the motto of the Composer\u2019s Kitchen, a residency that Quatuor Bozzini organizes every year with four up-and-coming composers. This year, Julia Mermelstein, Lucie Nezri, Niko Schroeder and Corie Soumah were selected. During the Composer\u2019s Kitchen programme, the composers are guided by mentors Zosha Di Castri and Maya Verlaak and attend workshops, labs and masterclasses.<\/em><\/p>\n<\/div>\n\n\n\n

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NEW YORK, August 22nd 2025, International Contemporary Ensemble & TIME:SPANS 2025<\/a>: US premiere
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The wonderful International Contemporary Ensemble will be performing my new work “Tossed Parachutes of Lilacs and Lungs” during TIME:SPANS 2025 festival, alongside works by Marcos Balter, Ashkan Behzadi, Tebogo Monnakgotla & Thierry P\u00e9cou.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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GERMANY, July 2025, International Contemporary Ensemble & Darmstadt Summer Course<\/a>: world premiere
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The wonderful International Contemporary Ensemble will be performing my new work “Tossed Parachutes of Lilacs and Lungs” at the Darmstadt Summer Course alongside works by Marcos Balter, Ashkan Behzadi, Tebogo Monnakgotla & Thierry P\u00e9cou.<\/em> More details and info coming soon.<\/em><\/p>\n<\/div>\n\n\n\n

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CANADA, le 2 au 7 juin 2025, Composer\u2019s Kitchen<\/a>
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J’ai le plaisir d’annoncer ma participation au Composer’s Kitchen 2025!

Le Quatuor Bozzini et Gaudeamus ont le plaisir d’annoncer les participantes et participant du Composer’s Kitchen 2025 : Julia Mermelstein, Lucie Nezri, Nikolaus Schroeder et Corie Rose Soumah. Cette ann\u00e9e, les compositrices mentors sont Zosha di Castri et Maya Verlaak. Une r\u00e9sidence d’une semaine aura lieu \u00e0 Montr\u00e9al en juin 2025, suivie d’une deuxi\u00e8me r\u00e9sidence et d’un concert de premi\u00e8re mondiale \u00e0 Utrecht en septembre. Les pi\u00e8ces seront cr\u00e9\u00e9es \u00e0 Montr\u00e9al en octobre<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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CHICAGO, June 1st 2025
New Music Ensemble<\/a><\/p>\n\n\n\n

The New Music Ensemble has invited three rising star composer-performers \u2014 Corie Rose Soumah, Matthew Schultheis, and Jacqui Armbruster \u2014 to travel to Chicago to work with the New Music Ensemble during its three performances. During their time in Chicago, these artists will collaborate with, coach, and perform alongside the ensemble. In collaboration with the faculty, the fellows will also be participating in other aspects of the musical community at UChicago, including presenting on their music in Composition Seminar.<\/em><\/p>\n<\/div>\n\n\n\n

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NEW YORK, May 3rd 2025, Longplay: andPLAY at Irondale<\/a>
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I’ll be joining andPlay<\/a> for the performance of “Prisma Interius VIII” (2018) by Catherine Lamb at Irondale (Brooklyn) during Longplay festival.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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CANADA, 30 avril 2025
Aptitudes mat\u00e9rielles – Corie Rose Soumah & Hypercube<\/p>\n\n\n\n

La commissaire artistique Corie Rose Soumah invite les artistes sonores de Hypercube<\/a>, Erin Rogers<\/a>, Antoine Goudreau<\/a> et Antonin Bourgault<\/a> pour un concert o\u00f9 se rencontrent nouvelles technologies, arts visuels et spatialisation sonore.

Cette convergence de deux m\u00e9tropoles au formidable dynamisme cr\u00e9atif, New York et Montr\u00e9al, offre un pr\u00e9texte id\u00e9al pour la rencontre entre nouvelles technologies, arts visuels, th\u00e9\u00e2tralit\u00e9 et spatialisation sonore. Mettant en sc\u00e8ne instruments analogiques et une myriade de paysages graphiques et acousmatiques, le programme du concert convoque des univers pluriels repr\u00e9sentatifs de la diversit\u00e9 sonore contemporaine.<\/em>

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CANADA, 25 avril 2025
Paramirabo et Productions Totem Contemporain: premi\u00e8re mondiale<\/p>\n\n\n\n

Paramirabo<\/a> et Productions Totem Contemporain<\/a> interpr\u00e9teront une nouvelle pi\u00e8ce faisant partie de “States of Intermeshing” et sera pr\u00e9sent\u00e9e \u00e0 McGill University\u2019s Music Multimedia Room (MMR). La pi\u00e8ce a \u00e9t\u00e9 command\u00e9e par l’ensemble.

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ZAGREB, April 9th 2025, 2pm
Pinknoise ensemble: Entanglements<\/a><\/p>\n\n\n\n

Pinknoise<\/a> ensemble will play three new movements of “States of Intermeshing” at the Music Biennale Zagreb at the Youth Centre Ribnjak alongside works by Victoria Cheah & Simon Kanzler.
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SWITZERLAND, April 3rd 2025
Pinknoise ensemble: European premiere<\/a><\/p>\n\n\n\n

Pinknoise<\/a> ensemble will play three new movements of “States of Intermeshing” during contrapunkt. new art music festival alongside works by Victoria Cheah, Jessie Cox, Hannah Kendall & Simon Kanzler<\/em>.
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GERMANY, April 3rd 2025
In persona Beltane Ruiz Molina<\/a><\/p>\n\n\n\n

Beltane Ruiz Molina will be performing a solo recital with works from Yannis Kyriakides, Kaija Saariaho, Corie Rose Soumah and Oscar Bianchi.
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BERLIN, March 30th 2025, MaerzMusik: I AM ALL EARS<\/a>
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The festival\u2019s final programme, co-curated by Wojtek Blecharz, explores listening as a relational practice and questions traditional forms of musical performance. Following one of \u00c9liane Radigue\u2019s guiding principles \u2013 \u201cyou can be in the smallest corner and hear the totality of what is going on\u201d \u2013 the finale decentralises the stages of the Haus der Berliner Festspiele and invites the audience into its open spaces and, at the same time, into the microcosms of sound.<\/em>

Works by Sam Dunscombe \/ Corie Rose Soumah<\/strong> (Limpitidit\u00e9s I for solo doublebass)<\/strong> \/ Annie Hui-Hsin Hsieh \/ Yiran Zhao \/ Pauline Oliveros \/ Solistenensemble Kaleidoskop \/ Tom Johnson \/ Wojtek Blecharz<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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NEW YORK, March 7th 2025, 7pm
Pinknoise ensemble: world premiere<\/a><\/p>\n\n\n\n

Pinknoise<\/a> ensemble will play three new movements of “States of Intermeshing” at CUNY graduate center. It’ll feature myself on electronics alongside Simon Kanzler<\/a>. The work was commissioned by the ensemble.<\/em>

Free entrance
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CANADA, 24 f\u00e9vrier 2025
<\/a>Festival Montr\u00e9al\/Nouvelles Musiques<\/a><\/p>\n\n\n\n

Ekmeles<\/a> interpr\u00e8tera des oeuvres de Di Castri, Brook, Mundy and Soumah (premi\u00e8re canadienne de “like a frog on the road to it”) lors de la 12\u00e8me \u00e9dition de Festival Montr\u00e9al\/Nouvelles Musiques.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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GERMANY, December 12th 2024
CiCa Series #1.1<\/a><\/p>\n\n\n\n

Yue Dai, Ronja Sophie Putz, Gonzalo Martin Rodriguez, & Geonhyeok Lee perform works by Wanlin Chen, Ruth Crawford Seeger, & Corie Rose Soumah as well as solos by Arthur Kampela, Wieland Hoban,Helmut Lachenmann, & Zolt\u00e1n Kod\u00e1ly<\/em>.<\/p>\n<\/div>\n\n\n\n

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CANADA, November 24th to December 14 2024
Leighton Artist Studios<\/a><\/p>\n\n\n\n

Independent residencies at the Leighton Artist Studios offer professional artists an inspiring retreat environment for the development of their work. The program offers secluded space and focused time for artistic research, experimentation and project development.<\/em>

I will residing at the beautiful Valentine Studio. Merci au Conseil des arts et des lettres du Qu\u00e9bec et le Centre des arts pour le support.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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FRANCE, November 13th 2024
Composing While Black, Paris Edition<\/a><\/p>\n\n\n\n

This event is a unique international collaboration between ICE and the Paris-based ensemble L’Itineraire, one of the world\u2019s finest ensembles for contemporary music. The concert celebrates a new generation of Afrodiasporic composers from around the world. By presenting perspectives that have historically been missing from academic research, concert programs, and journalistic coverage, this program demonstrates the important role that Afrodiasporic new music is playing as an intercultural, multigenerational space of innovation that offers new subjects, histories, and identities.<\/em><\/p>\n<\/div>\n\n\n\n

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GERMANY, November 4-10th 2024
Always, Already There: An Incubator for Afrodiasporic New Music<\/a><\/p>\n\n\n\n

The Haus der Kulturen der Welt in Berlin, Germany (HKW, House of World Cultures) is sponsoring the residency \u201cAlways, Already There:  An Incubator for Afrodiasporic New Music,\u201d from November 4-10, 2024. The project includes public rehearsals and concerts, workshops, lectures and panel discussions, with the goal of collectively nurturing and developing new modes of expertise on contemporary Afrodiasporic sonic experimentalism, as well as presenting perspectives that have been largely ignored in academic research, concert programs, and journalistic coverage, especially in Europe.  <\/em><\/p>\n\n\n\n

November 7, 8:30pm
Decolonial Electronics<\/a><\/strong>
International Contemporary Ensemble with Cedrik Fermont, Christina Wheeler, Satch Hoyt, and Corie Rose Soumah<\/p>\n\n\n\n

November 8, 8:30pm
Composing While Black, Berlin Edition<\/a><\/strong>
International Contemporary Ensemble<\/p>\n<\/div>\n<\/div>\n\n\n\n

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NEW YORK, March 25th 2024
Overdrive<\/a><\/p>\n\n\n\n

An electronic music concert organized by Itz\u00e1 Garc\u00eda and Tobias Fandel, candidates in the Ph.D. Composition Program, with a pre-concert installation in Elebash Lobby from 3-6:00pm<\/em>

Concert participants include Luis Fernando Amaya, Drake Anderson, Seth Cluett, Steve Everett, Tobias Fandel, Itz\u00e1 Garc\u00eda, Lee Gilboa, Theodore Gordon, Simon Kanzler, Charles Rudig, Jacob Sachs-Mishalanie, Thanakarn Schofield, Corie Rose Soumah, Red Wierenga, and Johnna Wu.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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NEW YORK, March 16th 2024
Columbia Composers Presents : Dither Quartet featuring artists Martine Thomas & Thea Mesirow<\/p>\n\n\n\n

Performance of an electronic solo set for modular synthesizers and shell instruments.

Free and open to the public.<\/em><\/p>\n<\/div>\n\n\n\n

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NEW YORK, December 11th 2023
Translucent Harmonies Record Release Concert<\/a><\/p>\n\n\n\n

Join andPlay for the celebration of their most recent record, “Translucent Harmonies” out now on Another Timbre. Opening set, “ecstatic resonances” by clarinetist, Madison Greenstone. andPlay performs two new works by Kristofer Svensson and an ensemble work by Catherine Lamb.<\/em><\/p>\n\n\n\n

“Ljusomflutna, sakta vindar” (2019) by Kristofer Svensson
“I den gyllene luften” (2022) by Kristofer Svensson
“Prisma Interius VIII” (2018) by Catherine Lamb<\/em><\/p>\n\n\n\n

andPlay is joined by David Adamcyk, Tristan Kasten-Krause, Thea Mesirow, Corie Rose Soumah for the Catherine Lamb.<\/em><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

UPCOMING\/\u00c0 VENIR AUSTRIA, Klangspuren Schwaz Festival, September 2026. Corie Rose Soumahneues Werk (2026), UA, 10\u2019Auftragswerk von Klangspuren SchwazWe, to be so transformed for string quartet (2025), \u00d6EA, 20′ 2023 fand die kanadische Komponistin Corie Rose Soumah w\u00e4hrend einer Europa-Reise Trost im Roman einer \u00f6sterreichischen Autorin: Marlen Haushofers \u201eDie Mauer\u201c ber\u00fchrte Soumah so sehr, dass sie […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-1044","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t