{"id":1016,"date":"2024-01-18T20:25:51","date_gmt":"2024-01-18T20:25:51","guid":{"rendered":"https:\/\/www.corierosesoumah.com\/?page_id=1016"},"modified":"2026-04-29T17:24:31","modified_gmt":"2026-04-29T17:24:31","slug":"catalogue","status":"publish","type":"page","link":"https:\/\/www.corierosesoumah.com\/homepage\/catalogue\/","title":{"rendered":"Catalogue"},"content":{"rendered":"\n

UPCOMING<\/p>\n\n\n\n

[new work] for ensemble PHACE 2026<\/em>
[new work] for Alkali Collective 2027<\/em>
[new work] for Paramirabo 2028<\/em><\/p>\n\n\n\n

LARGE ENSEMBLE\/GRAND ENSEMBLE<\/p>\n\n\n\n

Tossed Parachutes of Lilacs and Lungs<\/a><\/em>
2025
for chamber ensemble and fixed electronics
pour ensemble et bande fixe
[Flt.\/Cl.\/Perc.\/E.Guit.\/Pno.\/Vln.\/Vla.\/Vc.]
13 minutes<\/p>\n\n\n\n

Moments int\u00e9rieurs I Parois | Crevasses<\/a><\/em>
2020 (r\u00e9v. 2022)
For alt. fl., ob., b.cl., bn.\/ hn., tpt., trbn.\/ pn., perc (I).\/ vln.I, vln.II, vla., vlc., d.b.
Pour alt. fl., hb., cl.b., bn.\/ hn., tpt., trbn.\/ pn., perc (I).\/ vln.I, vln.II, alt., vlc., c.b.
11 minutes<\/p>\n\n\n\n

CHAMBER\/MUSIQUE DE CHAMBRE<\/p>\n\n\n\n

the flower of having passed through paradise in a dream<\/a>
(2026)
for saxophone quartet, melodicas, fixed and live electronics + video
pour quatuor de saxophones, m\u00e9lodicas, vid\u00e9o et \u00e9lectroniques (traitements fixes et en temps r\u00e9el)
16 minutes<\/p>\n\n\n\n

DEAD TALES, spurred<\/a>
(2025)
for flute, tenor saxophone, piano, percussion & electronics
pour fl\u00fbte, saxophone t\u00e9nor, piano, percussion & \u00e9lectroniques
10 minutes<\/p>\n\n\n\n

We, To Be So Transformed<\/a>
(2025)
for string quartet
pour quatuor \u00e0 cordes
20 minutes<\/p>\n\n\n\n

States of Intermeshing<\/a>
(2024-…)
for flute, clarinet, piano, percussion, violin, cello, electronics & additional instruments
pour fl\u00fbte, clarinette, piano, percussion, violon, violoncelle, \u00e9lectroniques & instruments variables

iv. in-situ (electronics)<\/em>
v. of emptiness cut out into black lightning (pierrot and electronics)<\/em>
vi . come to fall (electronic(s))<\/em>
vii. what is past is prologue; (pierrot, electronics and Table de babel)<\/em>
xi. \u00e9pilogue (violin, cello, piano and electronics)<\/em><\/p>\n\n\n\n

like a frog on the road to it<\/a>
(2023)
for six voices and fixed electronics
pour six voix et bande fixe
21 minutes<\/p>\n\n\n\n

In the Cathedral Of Our Ribs<\/a>
(2022)
for flute, clarinet, piano, percussion, violin, cello, electronics & shell instruments
pour fl\u00fbte, clarinette, piano, percussion, violon, violoncelle, \u00e9lectroniques & instruments coquillages
9 minutes<\/p>\n\n\n\n

SPINNING, TOUCHED, UNDREAMT; SNOW-<\/a>
(2022)
for six voices and fixed electronics
pour six voix et bande fixe
21 minutes<\/p>\n\n\n\n

Impressions et proximit\u00e9s<\/a>
(2020)
for piccolo, tenor saxophone, violin, cello and piano
pour piccolo, saxophone t\u00e9nor, violon, violoncelle and piano
6 minutes<\/p>\n\n\n\n

Diptyque<\/a>
(2019)
for electric guitar quartet
pour quatuor de guitare \u00e9lectrique
12 minutes<\/p>\n\n\n\n

Reflets<\/a>
(2019)
for string quartet
pour quatuor \u00e0 cordes
5 minutes<\/p>\n\n\n\n

SOLO\/DUO<\/p>\n\n\n\n

Limpidit\u00e9s VII<\/a>
(2025)
for solo voice and electronics
pour voix solo et \u00e9lectroniques
10 minutes<\/p>\n\n\n\n

Limpidit\u00e9s VI<\/a>
(2025-…)
for two saxophones
pour deux saxophones
10 minutes<\/p>\n\n\n\n

porcelains\/eco\/#stillmagical<\/a>
(2024)
for live electronics and shells
pour \u00e9lectroniques en temps r\u00e9el et coquillages
14 minutes<\/p>\n\n\n\n

Limpidit\u00e9s V
(2022)
for french horn
pour cor en fa
2 minutes<\/p>\n\n\n\n

Limpidit\u00e9s IV<\/a>
(2024)
for solo violin and the performer voice 
pour violon solo et la voix de l\u2019interpr\u00e8te
12 minutes<\/p>\n\n\n\n

Limpidit\u00e9s III<\/a>
(2022)
for tenor saxophone
pour saxophone t\u00e9nor
2 minutes
12 minutes<\/p>\n\n\n\n

Limpidit\u00e9s II
(2022)
for keyboard accordion
pour accord\u00e9on \u00e0 clavier
2 minutes<\/p>\n\n\n\n

Limpidit\u00e9s I<\/a>
(2019)
for doublebass 
pour contrebasse
5 minutes<\/p>\n","protected":false},"excerpt":{"rendered":"

UPCOMING [new work] for ensemble PHACE 2026[new work] for Alkali Collective 2027[new work] for Paramirabo 2028 LARGE ENSEMBLE\/GRAND ENSEMBLE Tossed Parachutes of Lilacs and Lungs2025for chamber ensemble and fixed electronicspour ensemble et bande fixe[Flt.\/Cl.\/Perc.\/E.Guit.\/Pno.\/Vln.\/Vla.\/Vc.]13 minutes Moments int\u00e9rieurs I Parois | Crevasses2020 (r\u00e9v. 2022)For alt. fl., ob., b.cl., bn.\/ hn., tpt., trbn.\/ pn., perc (I).\/ vln.I, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1016","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages\/1016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/comments?post=1016"}],"version-history":[{"count":9,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages\/1016\/revisions"}],"predecessor-version":[{"id":1851,"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/pages\/1016\/revisions\/1851"}],"wp:attachment":[{"href":"https:\/\/www.corierosesoumah.com\/homepage\/wp-json\/wp\/v2\/media?parent=1016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}